Jun. 5th, 2012

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Part 1

And now, the conclusion of (my review of) Paul Jenkins' Batman: Jekyll & Hyde. At this point, artist Jae Lee left the mini-series for unexplained reasons, and artistic duties were taken up by B:J&H cover artist (and artist of Steps, that story from Legends of the Dark Knight) Sean Phillips.

For many, the loss of Lee is terrible, since he was undoubtedly one of the main draws to the story. Bear in mind, Lee was a rockstar artist around this time thanks to his work on such titles as Grant Morrison's Fantastic Four and his previous collaboration with Jenkins on Marvel's Inhumans mini in 2000. Seriously, as someone who grew up reading Wizard magazine in the 90's, I cannot stress how highly Inhumans was touted as THE shit, and how Lee (less so Jenkins, because the prevailing mentality was "who cares about writers?") was hailed as a superstar. As such, to lose Lee halfway though is to lose pretty much the main driving force behind this series' appeal to most comics readers at the time.

Personally, though, I think that Sean Phillips (who is now far more known for his collaborations with Ed Brubaker in absolutely goddamn brilliant stories like Sleeper and Criminal, not to mention the infamous Marvel Zombies) is a far more expressive and dynamic artist, and I prefer the way he draws Harvey anyway, so I approve. Besides, in a sense, this brings Jenkins' story full circle, considering that this all started with Jenkins and Phillips in Steps. Just be prepared for a jarring bit of artistic whiplash. Then again, considering the big revelations that Jenkins has in mind, perhaps artistic backlash is the least of your worries.



Ice cream, funny little hats, and traumatic childhood revelations, behind the cut! )

If you want to own Batman: Jekyll & Hyde, the collection is pretty commonly available, and can be purchased online at places like Amazon.com. There's a lot more which I couldn't include, including more Two-Face hijinks and an entire subplot of Batman recovering from the effects of the serum.

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