We Believe in Harvey Dent

Preamble: While I will be discussing this book to the best of my abilities, I know that there's nothing quite like seeing a work that's being critiques yourself rather than just hearing the critic's description. As such, if you're interested in checking this book out for yourself, I have found three separate extensive previews of this book: two over at Google Books here and here, plus this preview over at Scribd.

Each of the previews even include some pages that the others omit, including some that are relevant to this review, so try checking them all out for your perusal. Plus, all previews include links to where you can purchase the book if you're interested to read the whole thing. If you'd like to just purchase the book directly from Amazon.com, here you go. Otherwise, let's press on!



While I've always had little use for those unauthorized books that try to examine Batman through the lens of philosophy or religion*, I was really intrigued by the prospect of Batman and Psychology: A Dark and Stormy Knight by psychologist and Batman fan Travis Langley.

( Behind the cut, I attempt to criticize the analyses of an licensed psychologist. Sure, why not? )

What do you think, folks? If you've read the book or even just a few excerpts online (see Preamble), do you agree or disagree with Langley's analyses? How would you diagnose any of the Rogues? Let me know in the comments!

Also, if anyone thinks that the links I used for psychological terminology are inaccurate or outdated, please send me along links to better articles and I shall edit accordingly!



Note: *Footnotes are now found in the comments! The second one became a long rant about Nolan's The Dark Knight that I needed to get off my chest. Think of it as a bonus tirade!

Hello, hello! I am finally back, here to present a special three-part review over the next week!

I've been working on these for a while now, and since I have a lot of irons in the fire at present, I figure it's high time to look at some of Harvey's more notable second-string episodes before I get to the really meaty TAS-era stuff! So, over the course of the next few posts, I shall review Harvey's three biggest supporting-role appearances in Batman: The Animated Series and examine what they mean for the character himself! After becoming Two-Face, Harvey became a full-fledged member of the Batman rogues gallery, and he would sometimes be seen rubbing shoulders with the worst of the costumes rogues.


PALS.

While this fits the status of the comics--wherein Two-Face being held up as one of the most important and prominent rogues--it's still strange company for the former District Attorney to be keeping, even insane as he's become. Let's face it, even Big Bad Harv isn't the type to fraternize with the likes of the Joker and Poison Ivy under any circumstances, and yet, he's seen hangin' around with the Rogues on several occasions! How the hell does this work? Does the show even try to reconcile the Harvey that was and the Two-Face he's become with this newfound club of "friends" that he has every reason to loathe, or do the writers just shrug their shoulders and go, "Eh, he's evil now, let him hang with evil people"?

To find out, let's examine Two-Face's three biggest supporting appearances over the show, all of which involve him sharing screentime with the Joker and various other villains. Perhaps tellingly, all three of these episodes are greatly influenced by classic Bronze Age stories, which might account for their particular treatment of Harvey as Bat-Rogue member. And let's start with a review for an episode that's long, long overdue for anyone who's familiar with this blog.



Wherein Batman investigates the mad scientist, extortionist, and inexplicably-Russian Hugo Strange, who in turn subsequently discovers Bruce's secret identity and plans to auction it off to the highest bidder. Watch it here.

( Full review with SPOILERS behind the cut! )

In 1996, trading card company Fleer decided that they wanted to release a different kind of card set for Batman. Inspired by the loose narrative of Topps' classic Mars Attacks! cards, the Batman Master Series set was the first series of cards to comprise a complete, original Batman storyline. The more cards you collect, the more parts of the story you'd have to piece together. And it was all written by none other than our old favorite, Doug Moench. Oh yes, we're in for a treat. :D


Source

The plot was simple: after the Joker once again escapes Arkham, Batman goes missing and is presumed dead, with the Joker being the likeliest suspect. Everyone posits their reactions and theories, including the Joker himself, who can't be sure whether or not he actually did it at all! This offered plenty of opportunities to hit all the big beats of the previous card series (major and minor characters, important events) plus create all-new settings for cards (scenes from the plotline, bizarre wacko takes on the rogues, the Joker popping up in classic Elseworlds). Along the way, we get TONS of cards dedicated to rogues, some of whom pop up several times. Visually, it's a feast of portraits, and that alone would warrant a master post here.

Except it gets even better, because apparently the cards had enough of a cult following amongst collectors that the entire deck was given its own coffee table art book:



Not only are all the cards lovingly reprinted along with Moench's text, but the book's editors actually included commentary from the artists, thus giving a rare insight into the creative process! The combination of characters, art, story, and commentary make Batman Masterpieces a must-have, and to show you what I mean, I'm going to post just the villain pages, almost all of which are by the painter Dermot Power (Batman/Judge Dredd: The Ultimate Riddle, and concept artist for Batman Begins).

( Who's Who (could have possibly killed Batman?) behind the cut! )

So what did you guys make of the art? Were they indeed "museum quality" as the ads touted, or merely a dated and grotesque assortment of 90's-tacular artists? I lean more towards the latter, but I love the collection of the cards nonetheless, and I very much recommend checking out the whole of Batman Masterpieces if you can find a copy.

By 1990, I suspect that DC was tired of the increasingly-crappy printing quality they were giving to their Who's Who books, and probably wanted to step things up for the collector's market. This is pure speculation on my part, just going by the fact that the new editions of Who's Who were a much higher quality, with better coloring and slick, glossy paper. The biggest change for these profiles was that they came in looseleaf tear-away binding with holes so you could organize them in a three-ring binder any way you wanted: by character name, by heroes and villains, by all Batman/Superman/cosmic characters, etc.

While we had snazzy new updated Who's Who profiles, very little actually happened to most of the characters since they were last written about in previous entries. Aside from the art, the written entries (many by Mark Waid!) were largely identical. Bear in mind, this is just before Batman: The Animated Series, Knightfall, and other stuff which would have greatly affects the biographies of the Batman villains. If DC had waited another year or three, the many profiles would have had more to say rather than pretty much rehashing everything we know already.

Nonetheless, the new art makes the lack of new information plenty worthwhile. Many of these portraits and stellar and timeless, perfect for use in your average wiki entry as a definitive take on these rogues.


( A spiffy new bunch of Who's Whos, plus a couple new Who's Thats, behind the cut )

Man, I didn't intend to begin and end this part with Grant/Breyfogle creations! Maybe it's a sign that I need to finally collect that entire run and read it through, as well as the early Shadow of the Bat stuff. Grant's work is rarely what I'd call stellar, but it's proving more interesting, remarkable, and entertaining than I used to believe. If you folks have some favorite Alan Grant stories, let me know if the comments!

So, I can't wait any longer. I need to rant about the characters in Batman: Arkham City.

Understand, this is completely out of the order I had intended. I wanted to wait until I had finished my series on the Complete History of Hugo Strange, but I've put off the next few posts because 1.) I really don't like most of the upcoming stories, and 2.) I don't have scans of Batman and the Monster Men, Battle for the Cowl: The Network, nor the stuff by Tony Daniel and from David Hine's Arkham Reborn. I really wanted--and in some ways still need--to post those before I seriously look at how Hugo was handled in the B:AC game and comics.

But birds gotta swim, fish gotta fly you heard me!, Hef gotta rant! For one thing, this is the most high-profile exposure that the rogues as a whole have gotten since Batman: The Animated Series. For another, the big twist about Hugo Strange pissed me off so much that it not only ruined every bit of enjoyment I had for the character in the game, but it also put a damper on my love of the character as a whole. It was THAT annoying.

Now, I haven't actually played B:AC, since--surprise surprise--Dell laptops suck and thus can't support the game via Steam. So I was forced to watch this series of playthroughs, one of the few without player commentary, and just focused on the character stuff. I ended up having to do the same with the original Batman: Arkham Asylum, which I still haven't played either, but that was a far more painful experience. B:AA was not a well-written, well-performed game. I'm sure the playing experience was amazing, but the viewing experience was tedious and irritating, largely because of the Hot-Topic-ified versions of the rogues, the uninspired voice acting of everyone involved, and ohmygod the Joker at the end WTF still.

B:AC was so much better in every damn way in regards to how they handled the characters and story. Between the first game's success and the new urban demilitarized setting, it's like the designers knew that they didn't NEED to reinvent the characters, and pretty much kept them intact (with some changes) to roam freely, interact, and wreak havoc. I approve! ... But not, of course, without some criticisms.

A perfect example is what was done with the Penguin.



Gotta admit, I'm surprised by how much I liked Pengers here, much as I hate the inexplicable voice, overly-sleazy characterization, and lack of stylish flair in the form of no top hats, cigars instead of cigarette holders, and--most stupid of all--a broken bottle in the eye. Oh yes, that's no monocle! Because he's now GRITTY, you see! How very stupid. And yet, I liked the character regardless. He came off as a more interesting villain there than he has in the comics for YEARS, save for great flukes such as Joker's Asylum: Penguin.

If you'd like full thoughts on this version, I wrote them all up at my Tumblr, but know that I'll eventually be incorporating many of those thoughts into my eventual Penguin Appreciation Post. Hell, I'll probably do a whole Penguin Appreciation Week to go with it! But that won't be for a while yet.

After posting that, someone on Tumblr asked me what I thought about how the rest of the villains were handled. For the most part, my thoughts will be spoiler-free, and I'll save the spoilers for the end. Don't worry, you'll get warning and a lot of blank space.

Either way, if you don't want to be spoiled, avoid reading the comments.


( 75% spoiler-free, followed by a spoiler warning and then 25% ALL OF THE SPOILERS behind the cut )



Otherwise, neat game. Looking forward to actually playing it someday.

I've been incredibly annoyed at DC for the way they've treated their trade collections over the past decade. I can understand many great stories being left out of print, of course I can. Collections cost money to make, and if there's no market even for great stories which few people want or know about, why publish it? I get that, sad though it makes me. But what they actually WERE doing was, to put it mildly, damn stupid.

Bad enough that they were constantly publishing six-issue collections in overpriced, flimsy, awkward hardcovers. But worse, some collections, like Green Lantern: The Sinestro Corps War, were published in three separate hardcovers, with several key issues published OUT OF ORDER. Then, as if to compound this ridiculousness, they subseuqnetly published Blackest Night and Blackest Night: Green Lantern as TWO SEPARATE COLLECTIONS, even though anybody who followed that event knows that both titles alternated telling the same damn story. It's like buying two copies of the same book, but one copy has the even-numbered chapters and the other has the odd.

And then there are collections like Joker: The Greatest Stories Ever Told and Batman VS Two-Face, which completely omit big-name stories in favor of out-of-context selections from larger stories, included for the clear purpose of enticing people to buy those trades next at the expense of a great collection. I was so pissed by this, I actually wrote an actual paper letter to the editor who seemed most responsible for most of this fuckery, and it was a very polite but strongly-worded one, but to no avail. Man, sometimes I wish DC would just put me in charge of their collected editions.

Until that happens, though, it seems like something must have changed, because DC is stepping up their collected editions in a big, big way! Never have I seen so many new collections coming out at the same time that I so wanted to own, especially since I've recently fallen in love with Bronze Age Batman in a big way.






Legends of the Dark Knight: Jim Aparo Vol. 1 [Hardcover]


The first part of a complete, full-color collection of The Brave and the Bold? Holy hell, yes yes YES. I know that Aparo isn't everyone's cup of tea, and that my own adoration may be purely based in nostalgia, but Aparo's Batman is definitive for me the way Sprang, Adams, Miller, and Lee's Batmen are for others.

I've only read a handful of Aparo's TB&TB stories, but the few I've read have been absolute gems. Of course, it helps that two of them are written by the great Alan Brennert, and I've reviewed both stories in the past. Read them if you haven't, dear god, do. Other stories are written by Bob Haney, a writer who's notably a big out-there with character depictions (such as making Oliver Queen a greedy, boorish treasure-seeking booby), but even that team can result in one of the greatest Two-Face stories I've ever read. So while an Aparo collection of TB&TB will almost certainly be a mixed bag, I will devour each and every story with great interest.

And hey, hopefully the subsequent volumes will open the door to collecting more of Aparo's straight Batman work, especially the all-time classic mini, The Untold Legend of the Batman. That story needs to be collected, like, yesterday.





Legends of the Dark Knight: Marshall Rogers (Batman) [Hardcover] (Not final cover art?)

FUCK YES THE LEGENDARY ENGLEHART/ROGERS RUN HAS BEEN COLLECTED AGAIN YES!!! Erm, I mean... how satisfactory. I wondering what the coloring will be like? Will it be the wonderful original coloring, or the crappier, washed-out coloring that was used for the reprints? Oh whatever, I don't care, it's Strange Apparitions! Hugo! Deadshot! Thorne! Fish! One of the all-time greatest takes on the Joker ever, complete with the glorious butt-chin that Rogers liked to draw!

This seems like a huge collection. What other Batman work did Rogers do that would be included here? Probably Dark Detective, but I wonder if they'll also include Siege, Archie Goodwin's posthumous project from Legends of the Dark Knight? Either way, this is a must-own. For those who need a taste of just what makes this run so great, and why Rogers is a legend deserving of recognition, check out my review of the entire Hugo Strange subplot from Strange Apparitions.






Tales of the Batman - Gene Colan Vol. 1 [Hardcover]

First things first, who's noticing the pattern here? Yes, all of these collections are highlighting the ARTISTS. There isn't a single new DC hardcover collection coming out to celebrate writers (not unless you count the fact that they're rereleasing the excellent DCU Alan Moore collection in HC, presumably to include the inferior Bolland recoloring of The Killing Joke). What gives? Is this just indicative of the DCU run by Jim Lee, artists are now regularly given writing duties regardless of their skill or experience?

Don't get me wrong, the first two collections are absolutely deserving of being compiled for the artist first (although it's hard to imagine Strange Apparitions being half as good without Englehart firing on all cylinders), and no one will dispute that Gene Colan is a master deserving of recognition. On the other hand, you see that vampire story from featured right there on the cover? Yeah, it ties into several other stories which aren't drawn by Colan--including issues of the Batman, whereas this one was published in Detective Comics--but were ALL (or mostly) written by Gerry Conway. Now, I think many/most of the non-Colan issues were drawn by Don Newton, so thankfully we're also getting this...





Tales of the Batman: Don Newton [Hardcover] (Not final cover art, presumably)


... Which is great, but damn, wouldn't it have made more sense to do it as a Gerry Conway collection? Well, I suppose it all depends on which stories they include through each volume. As it is, you'll have to buy both if you want to read the complete saga of Boss Thorne's return, and subsequent re-haunting by the ghost of Hugo Strange, not to mention the introduction of Killer Croc and Redhead!Jason.

And finally, the book which in some ways gets me most excited:





Batman: Birth of the Demon [Paperback]


Birth of the Demon is one of the greatest Batman comics I have ever read, and it is THE greatest Ra's al Ghul story ever written, a masterpiece by Denny O'Neil and Norm Breyfogle both working at the very top of their game. The fact that it was out of print and unread by most just spoke to me of everything that was wrong with DC's collected editions, as well as the audience who didn't buy it enough when it came out to make it a hit. Hopefully that will be different this time, and people will finally read this masterwork for themselves.

Don't let the title fool you, it's actually the complete trilogy of Ra's al Ghul graphic novels, including the two by Mike W. Barr. The first is Son of the Demon, where Bruce and Talia actually got married, had sex, and she became pregnant. Yes, that would indeed be the origin of Damian Wayne, um, except that Grant Morrison, Mr. Everything-Is-Continuity-Yay-Silver-Age, couldn't actually remember how Son of the Demon went and, even though he loves wanking about obscure stories from 1957, he couldn't actually be bothered to read a graphic novel published in 198-fucking-7. So instead, he made up his own origin where Talia raped Batman. Let me say that again: GRANT MORRISON DECIDED TO HAVE TALIA RAPE BATMAN. I feel like it's important for everyone to remember this, especially when they wonder why the hell she's become an irredeemably evil character in the past few years. Barr's original Son of the Demon deserves to be read all the more because of Morrison's fuckery.

Less important is Barr's sequel, Bride of the Demon, which is by far the weakest of the trilogy. Ra's decides to marry an over-the-hill actress to have his heir, why now? It's as silly and forgettable as Birth is brilliant. The whole collection is worth every penny for the first and third stories alone. Just try to ignore that boring, boring, BORING cover by Andy Kubert.



Other collections of note coming out soon:

A new edition of Knightfall and a whole Batman VS Bane compilation, one of which will hopefully FINALLY collect Vengeance of Bane. Why the hell was that one never reprinted? If I'd read that, I might have actually cared more about that silly 'roided-up luchador!

Brubaker and Cooke's Catwoman series is getting recollected in a big hardcover. God, I loved that series so much. It was the first time I ever actually cared about Selina! That said, I'm not sure how well it's aged. I'm now more sensitive to Brubaker's tone-deafness when it comes to voices, and the stuff with Black Mask and Maggie Kyle just seems irredeemably ugly to me now. Honestly, I just hope that book collects Selina's Big Score by Darwyn Cooke, which is the greatest Catwoman story ever made. Ever. Ever ever ever. But even if it's not collected there, you can still always find it in Batman: Ego, and Other Tails.

Batman: Earth One by Geoff Johns and Gary Frank, an original graphic novel set in a separate continuity intended to draw in new readers. This team did amazing work with Superman, but in truth, I don't really care too much about them trying to tackle Batman. I'm just in it to see what the hell he does (if anything) with Harvey Dent. Because I'm that predictable.

I've found a handful of little things which don't really warrant posts on their own, but by their powers combined, you get a thinly-connected grab-bag assortment of Two-Face goodies and baddies alike!

Chris Sims at Comics Alliance gave a feature story wrote a feature story about the Capcom-style fan-made Batman fighting game that's still in progress. I think one of the creators commented to me about something on an old scans_daily post, but maybe that was somebody else trying to create MUGEN Batman character sprites. Either way, what we've seen so far is damn exciting, but you can guess the part that really got my interest, right?





Really, all you need is a courtroom setting and you're good. Hell, maybe then someone could finally create a piece of Two-Face fanart with him doing a proper Phoenix Wright "OBJECTION!" In a better world, where the character would actually be popular with fans, we'd have seen that sort of thing yesterday, right alongside a Two-Face mashup with Harvey Birdman: Attorney at Law.





Why yes, I would indeed buy that for a dollar. Thankfully, the game (if it's ever completed) will be free, unless DC realizes the potential here and actually gives these fans money to get it properly produced. They reportedly have a long, long way to go yet before it's completed, but they're still dedicated to the project for the time being. Would that I could find their actual site or blog where they could update with their progress from time to time!

There's so much I'd love to see in this game. Like, maybe the Joker could use a crowbar to beat up a Robin. Or Two-Face could use a baseball bat to beat up a Robin. Or the Riddler could run a Robin over with a tank. Why a tank? Because fuck Robins, that's why a tank. Hmm, I think my sleep depravation is showing.

And speaking of video games, let's look at a real one, now that alert reader Vito tipped me off to this "secret tape" from Batman: Arkham City. God, it's like every time I think I'm done with this damn game, something pulls me back in again! But how could I resist a dialogue exchange written by Paul Dini (I assume) featuring the first-ever meeting of my two all-time favorite Batman villains, Harvey and Professor Hugo Strange?





Ohhhhhh, so many conflicting feelings. First off, I'm annoyed that after DC Universe Online, this is the second time that we've had Harvey's face (body?) scarred by Falcone, not Maroni/Moroni. Why the change? Hell, Falcone's arguably LESS well-known and related to Harvey than Maroni thanks to The Dark Knight.





But I'm more annoyed by the snarling, nasty, humorless Two-Face character here. When I was lamenting the sad lack of Two-Face fic on FanFiction.net, Henchgirl summed up a major reason why Harvey has so few fans in fandom: he lacks charisma. I feel like this take on Two-Face is a perfect example of what she means. There's not much here to really love or even like, just a self-righteous monster who needs to be kicked in the face and taken down. Compare that with the other "leaked secret tape" of the Riddler vs Hugo, where Eddie isn't depicted perfectly, and yes is still practically sparkling with charisma compared to Harvey. That said, I do like hearing the voice shifting from good side to evil and back again, which gives him some dimension.

I also think I'm in love with Hugo Strange's voice performance, and the way he's properly being written as a psychologically manipulative bastard. I wonder what this game will do to his non-existent fan base over the next few months. He can also be heard in the third and final (so far) leaked audio interview, this one between him and Catwoman. I'm still not digging her voice (it's supposed to be Grey DeLisle, and if so, it's the weakest performance I've yet heard from that talented actress), but I like that Holly is canon in the Arkhamverse. Take THAT, everyone who hates the Miller/Brubaker origins!

And speaking of Arkham, I just found a fascinating Two-Face sketch by Arkham Asylum: A Serious House on Serious Earth artist Dave McKean:





McKean has expressly said that he didn't care about the Batman characters when he did the story, which I think helps give this sketch such a uniquely abstract flair. I could and will eventually rant at length about McKean and Morrison's graphic novel, but I can already tell you that most of my positive notes will be about McKean's artwork, which I love (but not without reservations and considerations). This sketch reflects that. It's not my favorite Harvey sketch, but it's one of the more interesting I've seen.

And speaking of sketches, I was just remembering the failed Portraits of Villainy project that Dini and Alex Ross were going to do, but which DC rejected. Like their tabloid-sized Secret Origins book, I believe it was going to be two-page origin portraits of several DC villains.





I go hot and cold on the work of both creators, but as a great fan of villains, I'm very sad that this never happened. At the very least, I wish these could have been inked and painted up properly. Even in pencil, I think the Penguin one is my favorite. I like how he's focused on Harvey's good side because, well, not enough people focus on that aspect. At the same time, I'm especially sad that we didn't get to see a full Dini/Ross origin for Harvey, considering that Ross (at least, over Doug Braithwaite's pencils) painted one of my very favorite depictions of Harvey's scarring.

I've been working on my review of Joker's Asylum: Two-Face. For the past two weeks. And by review, I mean "comprehensive autopsy." This might be one of the biggest, most in-depth critiques I've written, definitely the sort of thing that average comic fan might sniff at and go, "Ugh, you're thinking too much, why don't you just enjoy it or whatever?"

So, hopefully you folks will enjoy it. I had a lot more to say than I realized, but it's rare to find such a glowing example of everything I hate about the way Two-Face is written. Expect to see that within the next week or two, as Henchgirl and I are still on the road.

What else is new? Several things! First off, the solicit for the latest issue of Tony Daniel's dreaded Two-Face story:





BATMAN #711
Written by TONY DANIEL
Art by STEVE SCOTT and RYAN WINN
Cover by TONY DANIEL
Batman acts on his suspicions of a newly elected political figure in Gotham City and finds himself in deep water. With piranhas. Meanwhile, Two-Face fights his way back from the brink of death to find an unlikely ally who will show him that there are two sides to every story.
On sale JUNE 15 • 32 pg, FC, $2.99 US • RATED T


... Well, Harvey looked craggier and more Tommy Lee Jones than I'd like, but I'm loving the possibility that Daniel's having him wear his outfit from Nightwing: The Great Leap, which might just be my favorite Two-Face outfit. I still hate everything about Eddie here, and I'm still praying that the mystery female won't turn out to be Gilda.

Finally, prof_pig receives the distinction of being the first person to alert me to the fact that the new Arkham City trailer has been released, with footage of Harvey and Hugo!





First off, the trailer is pretty cool, although I'm torn on the use of indie rock. I kinda like how it reminds me of the awesome Sin City trailer that used "The Servant" by the Cells, but it hardly fits the tone of Batman or his world. Especially THIS Gotham.

Secondly, I adore the fact that Hugo, right off the bat (hurr), is fucking with Batman's brain, and that he calls the rogues and criminals "animals." I have absolutely no doubt that Hugo is going to be stellar in this game, and that a potentially great version of a great but unloved character will reach a whole new generation.

Harvey, on the other hand, is a different matter.

( Screenshots! With commentary! )


For comparison's sake, here's a look at the upcoming figures from Arkham City.





*shrugs* Eh? I'm looking forward to seeing how the final released figure will look, but based on this, it too is pretty standard. It looks like Harvey fell into a puddle of grape jelly. And I still hate the scarred arm. That's just silly-looking, not to mention that it pushes suspension of disbelief too far. Come on, that has to hurt like hell. Really, TAS aside, I've never understood why people give Harvey body scarring. He had the acid in his face, nowhere else, except maybe his hand as well. Some people just push the split thing too far.

I was introduced to this story way back in scans_daily 1.0, wherein it was instantly beloved by all. Upon tracking down the issues myself, this three-part finale from The Batman Adventures became one of my top ten favorite Batman stories ever, from any continuity.

I'm posting it here as the next part of my Hugo Strange series, as it was his only appearance in the ten years after Prey, and it's *also* tied to New Year's Eve.





In keeping with Batman: The Animated Series' treatment of villains, Hugo is given unprecedented character depth, sympathy, and a tragedy which matches (perhaps even rivals) the stories of Harvey Dent and Mr. Freeze.

But let's not kid ourselves. I know the main reason why folks love this story. It's a testament to the greatness of these comics that Hugo's sad story could run in the same issues as moments like this:






( In Memoriam, behind the cut )

It's because of stories like this that I honestly consider the TAS comics--all four series--to be the greatest Batman comics of the past twenty-five years. Maybe if these comics ever actually had crossovers into the DCU or "mattered" in some way continuity-wise, more people would have cared.

As it is, I'm just glad I recently managed to complete my entire collection of The Batman Adventures, Batman & Robin Adventures, Batman: Gotham Adventures, and Batman Adventures, until DC finally wises up and reprints the whole series.

Happy New Year, folks! Drive safely, drink sensibly, and try not to get your memory wiped!

Batman: Arkham City has already been on my radar for the fact that it'll feature Harvey in a major (and disturbingly detailed) way, and I already knew that a certain other character would have a featured role.

But I sure as hell did not expect this:





Alternate link to the same trailer on YouTube.


HOLY SWEET HELL. CHILLS.

Look, I started this series of Hugo posts because I had an odd passion for this character, and wanted to explore his history while exposing him to new readers and discussing him with old ones. One big reason is that his recent appearances over the past seven or eight years have been lackluster at best, with him being written either out of character or in a supporting capacity, when the fact is that he's always a leader, and ALWAYS a major threat. Writers like Tony Daniel, Matt Wagner, Frank Teri, Will Pfeifer, and even Doug Moench have forgotten this, and I feared that the video game makers would too.

Wrong. Ohhhh man was I wrong wrong wrong. Who do I have to thank for this, Paul Dini? If so, then he's quickly making up for the lackluster depiction of the character in The Strange Secret of Bruce Wayne TV episode. The voice took a bit of getting used to, but really, if you're gonna voice someone as a classic arch-fiend master criminal of old, a Christopher Lee impression is a fine start.

The touch I particularly love? You can't see his eyes. One of my favorite aspects of Hugo is how his glasses completely obscure his eyes, something which would be damn well impossible to pull off in live action, but the lighting actually pulls it off. That's Hugo. That's the iconic Hugo Fucking Strange.

Now give us the Two-Face trailer so we can finally see and hear him in action. Preferably with Richard Moll, please. If that happens, I am going to buy the game and lock my gamer friend out of his house to hijack his XBOX 360.