about_faces: (Two-Face... FOREVER!!!)
Hefner's Note: All screencaps are either by me or have been taken from Worlds Finest Online's review and Two-Face bio page, as well as the seriously lackluster review up at ToonZone. Sadly, there are virtually no gifs from this episode floating around online, which is really disappointing. Between the lack of gifs and the superficial reviews, I can't help but feel like the episode I'm about to discuss with you today is one of the more under-appreciated ones from all of B:TAS. But you'll have to be the judge of that when all's said and done.



The third season episode Second Chance (which you can watch here) is, for all intents and purposes, the first true sequel to Harvey's origin two-parter. While Two-Face became a recurring villain throughout the series, this episode was the first since Harvey's fall, rebirth, and meltdown to specifically focus on the fractured psyche of Harvey Dent, expanding upon the few details that we already knew. Here, we finally get a good glimpse at what's going on inside the mind of Two-Face, and the findings may be worse than we'd feared.



But these elements are all secondary (hurr) to what the episode is really about, which is an exploration of friendship under pressure as examined not just between Bruce and Harvey, but also Batman and Robin. As I've noted in the past, writers have sort of unofficially given Harvey a strange status amongst the Robins, none of whom have ever quite seen eye to eye with Batman when it comes to his unyielding faith in Harvey Dent. Second Chance puts a different spin on that dynamic by setting it in a universe where Harvey was Bruce's best (only?) friend from way before Robin came along, thus creating the friendship equivalent of love-triangle between the three (or four?) protagonists.



All of this is told through a classic-style detective mystery plotted by the Pretty Poison team of Michael Reaves and Paul Dini, whose story contains loose elements of Doug Moench and Klaus Janson's Knightfall-era story Double Cross, both parts of which I've reviewed here and here. The actual teleplay is written by Gerry Conway, the comics stalwart who brought back Rupert Thorne and Hugo Strange and co-created Killer Croc and Jason Todd, a veteran who also has experience with writing Two-Face!



I have mixed feelings about Conway's story because--fun as it was--it disregarded Harvey's previous appearance where he seemed to be on the verge of redemption and reconciliation with Gilda. That was a great, moving story with a potentially happy ending, but a couple years later, Conway brought Harvey back with no mention of Gilda, and he even threw in a blond love henchgirl love interest to boot! Was Harvey's return (and subsequent disregard of the character's own events) Conway's own idea, or was it mandated by editorial who just wanted to have everyone's favorite scarred number-themed villain back with an unchanged status quo? Heck if I know!

What matters is that Conway has experience not just with writing Batman and Robin, but also with making life suck even worse for poor Harvey Dent. A noble tradition, that! Combined with a plotting team whose previous take on Harvey had him as an oblivious romantic fool who spent most of the episode in a coma, these three writers unite to tell the second best Two-Face episode of B:TAS, and one of the key stories when it comes to the conflicts that Harvey represents. Both of them.


Gif by tokomon. Sadly, this is the only gif from the episode that I've been able to find.


You hated Harvey Dent. You would have done anything to destroy him. )
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Since it's the second time this year that we've had a Harvey-relevant date, I would be remiss if I didn't post SOMEthing! It can't be the review for Two-Face, Part II just yet, since that's far from complete. The first one was a ton of work, and hard as hell to compose, but your enthusiastic responses were so awesome that it's fired me up to put the same effort into the second half. Thanks for that.

So what can I post today? How about a double-dose of quick single-page cameos?

Let's start with one from Detective Comics Annual #4, an oddball story by Louise Simonson and Tom Grindberg. You don't really need any context for this page, since it's a pretty random and pointless Two-Face cameo, but for the curious, here you go: in a possible future, Batman's final battle with Ra's ends with the Demon dead and his own body smashed on a cliffside. When an adult Tim Drake takes up the mantle of Batman, he's swiftly murdered by Talia and the League of Assassins, prompting a sullen Bruce Wayne to create a concealed exoskeleton and go searching for the identity of Tim's killers. So where better to go than to visit one of the usual suspects?



"... he has a box of tricks," Harvey says, in voice-over on the next page, "and he's playing both sides against the middle." Figures: after a whole page assault of puns, the only one that really thematically works isn't even on this page! The Joker proceeds to tease Batman with the clue that will lead him to Talia, knowing that the revelation will eventually lead to both Bruce and Talia's destruction.

So yes, in this alternate universe, this page is the final encounter between Batman and Harvey, who is left with nothing more than a coin bent by a cybernetic Bat-hand. I like to imagine him now trying and failing to adequately flip the warped coin, and eventually giving up. Hey, maybe without the coin and Batman alike, that could lead to his eventual rehabilitation in his universe? I'd certainly like to think so, but I doubt the Joker would let that happen. The Joker is an asshole.

Speaking of Harvey, Joker, and Talia, that brings us to our second page, one from several years earlier: 1983's (hey, my birth year!) All My Enemies Against Me!, from Detective Comics #526, commemorating Batman's 500th appearance in that series!

The issue served as the culmination of Gerry Conway's original Jason Todd and Killer Croc storyline, bringing in a veritable Who's Who of Batman greatest enemies, including several soon-to-be-forgotten guys like Captain Stingaree and the Spook. Since Croc is trying to "steal our thunder" by trying to kill Batman, the Joker proposes that the villains all team up to beat Crockers t the punch, but one villain, Talia, decides to opt out. Joker doesn't approve, and a brief fight scene breaks out as the Joker demands that the other villains not let her escape.



I don't know what I love more: Harvey being genuinely unpredictable by adhering to the coin's rulings and his own sense of ethics, or the Joker calling him a loony. Also, I adore how the coin's trajectory spun over two panels. It's something that can only be done in comics storytelling, and I wish that more artists would play with the art form's unique capabilities more often. I'd love to see more Two-Face stories written and drawn in ways that only work in comics.

Harvey appears elsewhere in this issue, but aside from a couple wonderfully-drawn panels by Don Newton and Alfredo Alcala, there's nothing else of specific note for the Two-Face fan. If you'd like to read more of the issue, I've found the first nineteen pages scanned and posted up here. Don't hold your breath about the rest of the issue getting posted, since whoever runs that sites seems to have left it abandoned.

Still, the site is well worth investigating, since there are several great stories posted there in their entirety. I recommend checking out The Messiah of the Crimson Sun, a fantastically odd story with fucking STUNNING art by Trevor Von Eeden and a wonderfully cracked-out ending that, I promise, will throw you for a loop. Even more highly recommended is Alan Brennert's The Autobiography of Bruce Wayne, which is one of the greatest Batman comics ever. Period. One of these days, I'm finally going to write that post about the brilliance that is Alan Brennert, who might well be my favorite Batman writer of all time. If he ever wrote a Two-Face story, I think my head would explode.

Okay, back to working on that Two-Face, Part II review.
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I've been incredibly annoyed at DC for the way they've treated their trade collections over the past decade. I can understand many great stories being left out of print, of course I can. Collections cost money to make, and if there's no market even for great stories which few people want or know about, why publish it? I get that, sad though it makes me. But what they actually WERE doing was, to put it mildly, damn stupid.

Bad enough that they were constantly publishing six-issue collections in overpriced, flimsy, awkward hardcovers. But worse, some collections, like Green Lantern: The Sinestro Corps War, were published in three separate hardcovers, with several key issues published OUT OF ORDER. Then, as if to compound this ridiculousness, they subseuqnetly published Blackest Night and Blackest Night: Green Lantern as TWO SEPARATE COLLECTIONS, even though anybody who followed that event knows that both titles alternated telling the same damn story. It's like buying two copies of the same book, but one copy has the even-numbered chapters and the other has the odd.

And then there are collections like Joker: The Greatest Stories Ever Told and Batman VS Two-Face, which completely omit big-name stories in favor of out-of-context selections from larger stories, included for the clear purpose of enticing people to buy those trades next at the expense of a great collection. I was so pissed by this, I actually wrote an actual paper letter to the editor who seemed most responsible for most of this fuckery, and it was a very polite but strongly-worded one, but to no avail. Man, sometimes I wish DC would just put me in charge of their collected editions.

Until that happens, though, it seems like something must have changed, because DC is stepping up their collected editions in a big, big way! Never have I seen so many new collections coming out at the same time that I so wanted to own, especially since I've recently fallen in love with Bronze Age Batman in a big way.






Legends of the Dark Knight: Jim Aparo Vol. 1 [Hardcover]


The first part of a complete, full-color collection of The Brave and the Bold? Holy hell, yes yes YES. I know that Aparo isn't everyone's cup of tea, and that my own adoration may be purely based in nostalgia, but Aparo's Batman is definitive for me the way Sprang, Adams, Miller, and Lee's Batmen are for others.

I've only read a handful of Aparo's TB&TB stories, but the few I've read have been absolute gems. Of course, it helps that two of them are written by the great Alan Brennert, and I've reviewed both stories in the past. Read them if you haven't, dear god, do. Other stories are written by Bob Haney, a writer who's notably a big out-there with character depictions (such as making Oliver Queen a greedy, boorish treasure-seeking booby), but even that team can result in one of the greatest Two-Face stories I've ever read. So while an Aparo collection of TB&TB will almost certainly be a mixed bag, I will devour each and every story with great interest.

And hey, hopefully the subsequent volumes will open the door to collecting more of Aparo's straight Batman work, especially the all-time classic mini, The Untold Legend of the Batman. That story needs to be collected, like, yesterday.





Legends of the Dark Knight: Marshall Rogers (Batman) [Hardcover] (Not final cover art?)

FUCK YES THE LEGENDARY ENGLEHART/ROGERS RUN HAS BEEN COLLECTED AGAIN YES!!! Erm, I mean... how satisfactory. I wondering what the coloring will be like? Will it be the wonderful original coloring, or the crappier, washed-out coloring that was used for the reprints? Oh whatever, I don't care, it's Strange Apparitions! Hugo! Deadshot! Thorne! Fish! One of the all-time greatest takes on the Joker ever, complete with the glorious butt-chin that Rogers liked to draw!

This seems like a huge collection. What other Batman work did Rogers do that would be included here? Probably Dark Detective, but I wonder if they'll also include Siege, Archie Goodwin's posthumous project from Legends of the Dark Knight? Either way, this is a must-own. For those who need a taste of just what makes this run so great, and why Rogers is a legend deserving of recognition, check out my review of the entire Hugo Strange subplot from Strange Apparitions.






Tales of the Batman - Gene Colan Vol. 1 [Hardcover]

First things first, who's noticing the pattern here? Yes, all of these collections are highlighting the ARTISTS. There isn't a single new DC hardcover collection coming out to celebrate writers (not unless you count the fact that they're rereleasing the excellent DCU Alan Moore collection in HC, presumably to include the inferior Bolland recoloring of The Killing Joke). What gives? Is this just indicative of the DCU run by Jim Lee, artists are now regularly given writing duties regardless of their skill or experience?

Don't get me wrong, the first two collections are absolutely deserving of being compiled for the artist first (although it's hard to imagine Strange Apparitions being half as good without Englehart firing on all cylinders), and no one will dispute that Gene Colan is a master deserving of recognition. On the other hand, you see that vampire story from featured right there on the cover? Yeah, it ties into several other stories which aren't drawn by Colan--including issues of the Batman, whereas this one was published in Detective Comics--but were ALL (or mostly) written by Gerry Conway. Now, I think many/most of the non-Colan issues were drawn by Don Newton, so thankfully we're also getting this...





Tales of the Batman: Don Newton [Hardcover] (Not final cover art, presumably)


... Which is great, but damn, wouldn't it have made more sense to do it as a Gerry Conway collection? Well, I suppose it all depends on which stories they include through each volume. As it is, you'll have to buy both if you want to read the complete saga of Boss Thorne's return, and subsequent re-haunting by the ghost of Hugo Strange, not to mention the introduction of Killer Croc and Redhead!Jason.

And finally, the book which in some ways gets me most excited:





Batman: Birth of the Demon [Paperback]


Birth of the Demon is one of the greatest Batman comics I have ever read, and it is THE greatest Ra's al Ghul story ever written, a masterpiece by Denny O'Neil and Norm Breyfogle both working at the very top of their game. The fact that it was out of print and unread by most just spoke to me of everything that was wrong with DC's collected editions, as well as the audience who didn't buy it enough when it came out to make it a hit. Hopefully that will be different this time, and people will finally read this masterwork for themselves.

Don't let the title fool you, it's actually the complete trilogy of Ra's al Ghul graphic novels, including the two by Mike W. Barr. The first is Son of the Demon, where Bruce and Talia actually got married, had sex, and she became pregnant. Yes, that would indeed be the origin of Damian Wayne, um, except that Grant Morrison, Mr. Everything-Is-Continuity-Yay-Silver-Age, couldn't actually remember how Son of the Demon went and, even though he loves wanking about obscure stories from 1957, he couldn't actually be bothered to read a graphic novel published in 198-fucking-7. So instead, he made up his own origin where Talia raped Batman. Let me say that again: GRANT MORRISON DECIDED TO HAVE TALIA RAPE BATMAN. I feel like it's important for everyone to remember this, especially when they wonder why the hell she's become an irredeemably evil character in the past few years. Barr's original Son of the Demon deserves to be read all the more because of Morrison's fuckery.

Less important is Barr's sequel, Bride of the Demon, which is by far the weakest of the trilogy. Ra's decides to marry an over-the-hill actress to have his heir, why now? It's as silly and forgettable as Birth is brilliant. The whole collection is worth every penny for the first and third stories alone. Just try to ignore that boring, boring, BORING cover by Andy Kubert.



Other collections of note coming out soon:

A new edition of Knightfall and a whole Batman VS Bane compilation, one of which will hopefully FINALLY collect Vengeance of Bane. Why the hell was that one never reprinted? If I'd read that, I might have actually cared more about that silly 'roided-up luchador!

Brubaker and Cooke's Catwoman series is getting recollected in a big hardcover. God, I loved that series so much. It was the first time I ever actually cared about Selina! That said, I'm not sure how well it's aged. I'm now more sensitive to Brubaker's tone-deafness when it comes to voices, and the stuff with Black Mask and Maggie Kyle just seems irredeemably ugly to me now. Honestly, I just hope that book collects Selina's Big Score by Darwyn Cooke, which is the greatest Catwoman story ever made. Ever. Ever ever ever. But even if it's not collected there, you can still always find it in Batman: Ego, and Other Tails.

Batman: Earth One by Geoff Johns and Gary Frank, an original graphic novel set in a separate continuity intended to draw in new readers. This team did amazing work with Superman, but in truth, I don't really care too much about them trying to tackle Batman. I'm just in it to see what the hell he does (if anything) with Harvey Dent. Because I'm that predictable.
about_faces: (coin flipping through the air)
Right off the bat (hurr), I should say this: I haven't read the entire two-and-a-half-year-long run of Gerry Conway's tenure on Detective Comics. Which makes this post kind of a problem, because it concerns a subplot that Conway ran through 'Tec and occasionally Batman too for at least a year, maybe more.

It's a storyline about political intrigue and corruption, of ghosts and paranoia, and the arc I present here is one that starts in a political rally and ends right in the Batcave itself. Even from the issues here, I can already tell this this was a sprawling tale compared to the tightness of Englehart's Strange Apparitions, from which it cribs extensively to the point of plagiarism at times, as you might be able to tell right away:






But for all that, it's still an intriguing Batman epic, one which has been lost in the shuffle of fan memory between O'Neill/Adams and Miller. If any of you have read the whole run, do chime in and let me know how it stands in your memory. And for those who haven't, let's take a look at subplot which most concerns the theme of these posts...


The Haunting of Boss Thorne 2: Hunt for the Blood Orchid, behind the cut! )
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Two-Face's next major appearance not only ignored the climactic moment of redemption with Gilda, but it also threw in a brand new, never before (or after) seen love interest for Two-Face, a character who even serves to be the closest thing to his own Harley Quinn:





That said, their partner(relation?)ship barely gets much depth in this story. I'd be more critical of author Gerry Conway bringing a new romantic interest in right on the heels of Gilda's return, but it seems pointless considering that the story feels like a throwback bit of comic fun anyway.

So let's enjoy it for what it is once you discover the secret of Two-Face's Halfway House! )

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