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Whew, made it! And just in time for Twelfth Night, too!

Doing this series of posts has been one of the most exhausting, draining, frustrating, and goddamned fun projects I've ever done on this blog. It's a shame that it has to end this way, with an assortment that largely covers some of my least favorite Batman eras and characters.

That's not to say there isn't anything I love about Batman from 1997 to 2006. Sure, the days of the great Bat-trio of Moench/Grant/Dixon were starting to wind down, with many good stories hindered by one big crossover after another after another. The fact that they were all fired to make way for the next big crossover would haven been bitterly misguided if that crossover hadn't been No Man's Land. Far as I'm concerned, NML the highest achievement for Batman since Batman: Year One, since it was an event that was mostly focused on character rather than... well, events. It wasn't perfect, but it was better than any other major Batman crossover I have ever read, and thus I was greatly excited with the prospect of NML mastermind Greg Rucka continuing to write the ongoing Detective Comics.

While I loved Rucka's run, as well as Brubaker's Batman and Devin Grayon's Gotham Knights, the changes they made to Batman's character and supporting cast led the series down a path that I didn't necessarily like, but stuck with because I trusted the creative teams involved. And then they were all gone, with Loeb and Lee giving us Hush. After that, new writers followed the threads left by Rucka, Brubaker, and Grayson, and it all went to hell. The stories that followed left me cold, and much as I rag on Grant Morrison's run, I think I might honestly prefer it to the era of Black Mask. Don't force me to choose, please.

So now, at the end of a project that I started to celebrate the characters I love, I shall see if I can muster any of the same kind of enthusiasm for some of my favorite and least favorite eras alike.


Rassum frassum get off my lawn behind the cut )


So here's to another year for about_faces. The output will be infrequent, but I'm not going anywhere. There are too many stories left to look at, too many stupid things to rant about, too many comics and characters and ideas worth celebrating. Hope you'll stick around, and as always, keep the comments coming. You're the smartest damn bunch of fans I know, and that's no lie, no flattery, it's the damn truth. So thank you, and be seeing you.
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Two-Face: The Long Way Down, was supposed to run in the form of nine-page co-features, one part per issue, just like the Manhunter. Six parts over six issues of Batman: Streets of Gotham, right alongside Paul Dini's House of Hush storyline.

Instead, the first story in SoG #14 was eighteen pages (twice as long as the main Hush story!), twice the length, and clearly the first two parts smooshed together. Then, the next issue, SoG #15, was ENTIRELY devoted to the Two-Face story! At twenty-seven pages, that's the next three parts, back to back! Finally, in last Wednesday's SoG #16, the conclusion ran the regular nine pages.

Six parts, awkwardly shoved into three issues, and throwing off the flow of the title's main feature to boot. This wouldn't be such a problem, except that it was that last factor which pissed off comic readers.

When I went looking for reviews of SoG #15--the all-Two-Face issue--I found tons of angry comic fans declaring that they were dropping SoG. They were furious that there was no Hush story. Few had anything to say about the Two-Face story itself. They didn't even care.

Why? Do fans really like Hush that much? More than Two-Face?! Look, it would be one thing if they were dropping it over displeasure at the story itself (and they might have had cause, as we'll see below), but the story's quality was immaterial. All they cared about was Dini's Hush story. They had zero interest in a Two-Face-centric story, period.

This is strange, sad, and frustrating to me as a great fan of the character and Batman in general, all the more so because of the story itself. So let's do what so many fans didn't and give this story a look, as Harvey finds himself on the run from the bat, the cops, the feds, and the mob, doing whatever it takes of survive. Even if it means wearing a stupid hoodie.






Two-Face in... THE LONG WAY DOWN from BATMAN: STREETS OF GOTHAM #14-16 )

Seriously. What the hell happened? Clearly something happened, or the story wouldn't have been juggled around and smooshed together, ending in what feels--to be--to be an abrupt and rushed fashion. Either way, no one in the comics blogosphere seems to be raising any questions or complaints. No one really cares.

One way or another, I fear this means that the first Two-Face solo feature may also be the last.

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