about_faces: (Two-Face... FOREVER!!!)
Or "REVIEW ALL THE EPISODES!" I was originally going to include his larger supporting roles in here as well, but I'll save those for later.



So: with Harvey's origin as Two-Face out of the way, he went from being a little-seen heroic supporting character to joining the villain ensemble right alongside the guy who tried to kill him on live TV and his poisonous ex-almost-fiancée. It's not exactly the sort of company you'll expect to see Harvey enjoy no matter the mental state. But then, one has to imagine that it initially wasn't his choice, given that he was sent to Arkham Asylum. We first see Harvey at his new locale in the episode, Fear of Victory, as Batman goes to Arkham to find Scarecrow and has to pass a gauntlet of his biggest enemies at this point in the series:



Source: afiveseven


He just sits there, heedless of Batman, staring at nothing and flipping his coin. Is he just passing the time? Is he thinking, brooding, and/or scheming? I sometimes like to think that both sides are arguing, and the coin is the arbiter between them, but this isn't apparent to any outsider observers.

This scene has a personal bit of "Cool story, bro" significance for me, since this was the first time that I saw Harvey as Two-Face. Either I missed the two-part origin episode when it first aired (which is bloody unlikely even for me at ten years old, since I watched this show religiously), or more likely, Fox did what Fox always does and aired the episodes out of order. I mean, it's just a kids show, who the hell's gonna notice, amirite?

As such, this scene from Fear of Victory was the very first time I saw Harvey—good ol’ Harvey, the idealistic lawman, romantic idiot, and best friend—fully transformed into Two-Face. Even as a kid with limited comics knowledge, I knew what Harvey was going to become, but the shock of suddenly seeing him already there (along with the show’s unique design of that black-and-white suit and that strikingly sickly blue scarring) is forever burned into my memory. It gave watching the actual origin episode another layer of tragic inevitability.

But was that the only cameo? No sirree! In fact, the others echo this one in their own ways, the next of which is decidedly disturbing:

Nightmares, gods, and questions behind the cut! )

Yeah, that's it for the last Harvey cameo. Kind of an anticlimactic ending, ain't it? Well, that's the hand I'm dealt, as there are no more cameos after this. Well, no more that take place in Arkham, anyway. There's one more major cameo in Batgirl Returns, but I'll save that for the Shadow of the Bat review.

To make up for that, here, have an encore presentation of the best gif in the world right now, just for the benefit of those who aren't going to read past the cut:



It's hypnotic. Like a lava lamp.
about_faces: (Default)
Since it's the second time this year that we've had a Harvey-relevant date, I would be remiss if I didn't post SOMEthing! It can't be the review for Two-Face, Part II just yet, since that's far from complete. The first one was a ton of work, and hard as hell to compose, but your enthusiastic responses were so awesome that it's fired me up to put the same effort into the second half. Thanks for that.

So what can I post today? How about a double-dose of quick single-page cameos?

Let's start with one from Detective Comics Annual #4, an oddball story by Louise Simonson and Tom Grindberg. You don't really need any context for this page, since it's a pretty random and pointless Two-Face cameo, but for the curious, here you go: in a possible future, Batman's final battle with Ra's ends with the Demon dead and his own body smashed on a cliffside. When an adult Tim Drake takes up the mantle of Batman, he's swiftly murdered by Talia and the League of Assassins, prompting a sullen Bruce Wayne to create a concealed exoskeleton and go searching for the identity of Tim's killers. So where better to go than to visit one of the usual suspects?



"... he has a box of tricks," Harvey says, in voice-over on the next page, "and he's playing both sides against the middle." Figures: after a whole page assault of puns, the only one that really thematically works isn't even on this page! The Joker proceeds to tease Batman with the clue that will lead him to Talia, knowing that the revelation will eventually lead to both Bruce and Talia's destruction.

So yes, in this alternate universe, this page is the final encounter between Batman and Harvey, who is left with nothing more than a coin bent by a cybernetic Bat-hand. I like to imagine him now trying and failing to adequately flip the warped coin, and eventually giving up. Hey, maybe without the coin and Batman alike, that could lead to his eventual rehabilitation in his universe? I'd certainly like to think so, but I doubt the Joker would let that happen. The Joker is an asshole.

Speaking of Harvey, Joker, and Talia, that brings us to our second page, one from several years earlier: 1983's (hey, my birth year!) All My Enemies Against Me!, from Detective Comics #526, commemorating Batman's 500th appearance in that series!

The issue served as the culmination of Gerry Conway's original Jason Todd and Killer Croc storyline, bringing in a veritable Who's Who of Batman greatest enemies, including several soon-to-be-forgotten guys like Captain Stingaree and the Spook. Since Croc is trying to "steal our thunder" by trying to kill Batman, the Joker proposes that the villains all team up to beat Crockers t the punch, but one villain, Talia, decides to opt out. Joker doesn't approve, and a brief fight scene breaks out as the Joker demands that the other villains not let her escape.



I don't know what I love more: Harvey being genuinely unpredictable by adhering to the coin's rulings and his own sense of ethics, or the Joker calling him a loony. Also, I adore how the coin's trajectory spun over two panels. It's something that can only be done in comics storytelling, and I wish that more artists would play with the art form's unique capabilities more often. I'd love to see more Two-Face stories written and drawn in ways that only work in comics.

Harvey appears elsewhere in this issue, but aside from a couple wonderfully-drawn panels by Don Newton and Alfredo Alcala, there's nothing else of specific note for the Two-Face fan. If you'd like to read more of the issue, I've found the first nineteen pages scanned and posted up here. Don't hold your breath about the rest of the issue getting posted, since whoever runs that sites seems to have left it abandoned.

Still, the site is well worth investigating, since there are several great stories posted there in their entirety. I recommend checking out The Messiah of the Crimson Sun, a fantastically odd story with fucking STUNNING art by Trevor Von Eeden and a wonderfully cracked-out ending that, I promise, will throw you for a loop. Even more highly recommended is Alan Brennert's The Autobiography of Bruce Wayne, which is one of the greatest Batman comics ever. Period. One of these days, I'm finally going to write that post about the brilliance that is Alan Brennert, who might well be my favorite Batman writer of all time. If he ever wrote a Two-Face story, I think my head would explode.

Okay, back to working on that Two-Face, Part II review.
about_faces: (Default)
It's been rather quiet here lately, and while I'm sure much of that has to do with my recent posts being less substantial than they were B.B. (Before Baby), I'm also a bit concerned that the recent DDoS attack may have affected things too. For the record, I'm not planning on leaving LJ anytime soon, especially since users fleeing LJ is pretty much what the hackers want, but should LJ be shut down for matters outside my control, I will either permanently move to the Dreamwidth account or start up fresh elsewhere.

In regards to posts with substance, I've spent the last five days sloooooowly working on a review of Flashpoint: Batman--Knight of Vengeance, which has become much, much more than I had expected based on the lackluster preview I posted two months ago. Everybody is gaga over this story, praising it as an "instant classic," whereas I suspect that they're just praising the mini's *twist* rather than the plot or storytelling. But even if it's just because I'm annoyed by the universal glowing praise it's receiving, the fact is that I'm still thinking about it almost a week later. Considering that 99.9% of comics coming out now are so mediocre that I often forget entire issues just hours after I read them, that's both impressive and a depressing look at the scale of what's considered "instant classics" in comics today.

I'm planning on outright spoiling the twist of Flashpoint: Batman--Knight of Vengeance in the review, outside of the cut, because surely everybody's heard of it by now. However, if you're someone who does not want to be spoiled, pipe up in the comments and let me know.

For now, I'll just post a cameo from Swamp Thing #66, by Rick Vietch and Alfredo Alcala:





From the looks of things, it seems like the good side is the one having the nightmare, and the bad side is dreaming of... well, probably nothing nice. I'm going to pretend that he's dreaming about ice cream. Yes, ice cream is much nicer than whatever it is that'd give Two-Face the warm fuzzies at night.

Also, anybody else get the impression that Grant Morrison's entire use of Clayface as a walking metaphor for STDs in Arkham Asylum was inspired by this page?
about_faces: (Default)
One of the few Two-Face appearances I don't own happens to be a collector's item: Batman #260, which featured the first appearance of Arkham Asylum dash it all, I completely forgot, that was another issue, and one I'd already posted! Ugh, stupid me. Guess I'm still brain-fried from the long drive back from Orlando. Then damn, why the hell is THIS comic so expensive in every back issue bin?! Harvey's appearance in this comic is just a cameo, but even though it's one of my favorite cameos, I didn't want to shell out $20+ for a single comic, and I don't ever download torrents of comics, partially because I never could figure out how.

Thankfully, I just discovered this seemingly-abandoned Picsaweb account with quite a few classic Batman scans, plus some recent stuff from Under the Hood and Batman R.I.P., about which I couldn't give a pair of pears. And there, among many neat and never-been-reprinted treasures, I found scans of that issue I was looking for, the first scene of which I present to you here:


At the edge of Arkham, New England, stands the asylum of the criminally insane... )
about_faces: (Default)
Harvey occasionally makes extraneous cameos which add little to the larger story, and one such example is his two-page appearance in Robin #116. Truth be told, I haven't read this entire story (if any of you have, let me know what I'm missing), so maybe this scene actually does serve a purpose other than a different take on the character. I suspect the writer just wanted an excuse to write Harvey like this:





Two pages of Two-Face and Robin in Arkham )


I don't love this take, but I have to give writer Jon Lewis credit for coming up with something different. If you're going to write Harvey's madness over him actually being a character, most writers opt for him speaking in judicial terms, as if he's a walking mock trial.

At least Lewis opts for a different tack, one which seems stupidly obvious upon consideration: have Harvey think and speak in terms of black/white concepts, kicked off with the misogynistic virgin/whore dichotomy, and carried on through his recollection of Robin's suspect. I actually like that part, as the positive and negative attributes Harvey describes do not negate each other, showing how he can see the best and worst in people at the same time. Neat idea, one I'd like to see more often.

But why's Harvey defacing magazine models? He has a whole stack and a marker on hand. Is this meant to be therapy? What the hell, Arkham doctors? We've never seen Harvey as a doodler before, but thanks to Arkham's therapy, I can now see the latest Two-Face crime spree resembling Daffy Duck's reign of mustache terror.
about_faces: (OMG!)
First off, a big welcome to the handful of new followers who've joined up to this small but (hopefully) scrappy fanblog. As always, if you have any questions, suggestions, criticism, requests, or even want to post something Harvey-related of your own, let me know! The more Two-Face love, the better!



Secondly, I've been toying with the idea of how to look at the many Two-Face cameo appearances over the years.

The character is so iconic just in his appearance that he's made about as many cameo appearances as featured roles! Some of these cameos are just one panel, some are in group shots or collages with other villains, and some are even one to three pages long. Some certainly deserve more attention than others, such as the following scan.

As with most cameo appearances, a little context is needed: in "24/7"--the Devin Grayson/Roger Robinson story from Batman: Gotham Knights #32--we see a day in the life of Bruce Wayne, going through his entire routines on every level (businessman, detective, father figure, intimidating creature of pants-pooping terror), with glimpses into other characters and how Batman's shaped their lives. It's a great, essential bit of Batman.

But of course, my very favorite part also happens to be perhaps my very favorite Two-Face cameo:





I love moments like this, which say and show so little, but open up a whole world of possibilities, insight, and history in the characters. We've seen no indication of this ongoing game before this issue, nor do we hear any mention of it since, so it's entire up to us--the readers--to imagine the scenario here.

How long have they been playing chess? Who came up with the idea, and why? What will the winner get, if anything other than the satisfaction? Are they just playing the game, or is it just a vehicle for some larger stakes going on? We don't know, and really, we don't need to know... unless, of course, a talented writer actually was able to employ it for a good story. But how often does that happen? Much better to leave it as it is, to romp around in the playgrounds of our imaginations.

What I particularly like is Harvey's manner in these few panels (and this is just my take, as your own mileage may vary of this open-ended scene). He frowns, checking his watch, perhaps with impatience to hear his opponent's next move. Knowing Batman, he probably arrived right on the dot of what Harvey was expecting.

When Batman shows up and the move is announced, the immediate reaction we get is the scarred side in its perpetual snarling grimace. But when Harvey responds, all we see is the good side, which is depicted as uncommonly calm, pleasant, and intrigued. He's genuinely enjoying this match, for however long it's been going. But is he enjoying it as a way to pass the time? To challenge his hated enemy on the mental level? Or because he's just happy for the company?

Even that, I can't begin to guess. All I'm left to do is ponder, just like Harvey, for a tomorrow which only he and Batman will actually know.




If you want to read the full story, it can be found in Batman: The Greatest Stories Ever Told, Vol. 1, packed with several other essential Batman comics, including the wonderful "To Kill a Legend," plus "Night of the Stalker," which I'd consider the definitive Batman comic, period.

Note: this collection is not to be confused with the the older volume, The Greatest Batman Stories Ever Told, which is also awesome and well worth checking out.

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